【朱曉鵬】論馬一浮《群經統類》視域中的宋明一包養網心得儒學

Abstract:Ma Yifu’s “Group Statistics” shows us a classical system of Song and Ming Confucianism that is different from the traditional “Four Books” as the middle. It can not only become a major import for us to understand Ma Yifu’s unique Song and Ming Confucianism and its own thinking and the relationship between Song and Ming Confucianism, and can also study Song and Ming Confucianism. The person breaks out of the limitations of the existing single-in-one traditional research paradigm with characters as objects and schools as interests, and reshapes the original form of Song and Ming Confucianism in the broad field with the six-sect as the center, and gains the origin of the rich and diverse connotations of Song and Ming Confucianism, the energy and purpose of the Song and Ming Confucianism, and its internal mechanisms and unique paths in the innovation of practical thinking inheritance and theoretical discussion.

Keywords: Ma Yifu; “Collection of the Chronicles”; Confucianism in the Song and Ming Dynasties; Confucianism in the Six Arts

Ma Yifu Although he worked hard to learn in his life, he advocated Confucius’ attitude of “describing but not writing” and rarely wrote research works in his life. Therefore, despite Ma Yifu’s role as a modern neo-Confucianism, its theory is widely regarded as “confucianism in Song and Ming dynasties”. He himself also attaches great importance to Confucianism in Song and Ming dynasties, and has hardly written a special study of Confucianism in Song and Ming dynasties, but it is just a bit discourse. This undoubtedly makes us clear that Ma Yifu’s understanding of Confucianism in Song and Ming Dynasty and his own thoughts have formed a difficult and difficult relationship with Confucianism in Song and Ming Dynasty. Fortunately, Ma Yifu left us a main thread, that is, a group of famous works, mainly Song and Ming Confucianism, represented by “Group Statistics”, written during the divergence period, especially in the Resurrection Book Academy, written for reading and guiding students. It was the form I put on: “Fill in the form first.” I immediately took out a clean towel and showed a difference of Preparing price Traditionally, the classical system of Confucianism in Song and Ming dynasty, which uses the “Four Books” as the middle, can become a major import that we know about Ma Yi’s unique Confucianism and its own thinking and the relationship between Confucianism in Song and Ming dynasty.

1. “Cluster Classification”: Reconstruction of the Confucian classical system in Song and Ming dynasties

Although Ma Yifu did not diligently write books, he was diligent in browsing group books and carefully studied books. He knew the main nature of traditional classics, so since his early years, he repeatedly planned to edit and print various major classics. Ma Yifu believed that the previous Confucians said that the writings and collections of essays were necessary for scholars to study, but they always engraved books, and Confucians were not as good as Buddhists. The current versions may have been sparse and cannot be distributed; or the publication is inconsistent and urgently needs to be published. Ma Yifu said: “I have been interested in compiling three books: one is the “Cluster Classification”, which takes the six major meanings as leaders of academic knowledge; the second is the “Chapter’s Society”, which takes the words of the “Scholars” and which does not contradict the meaning; the third is the “Scholars’ Essence”, which takes the first words as those who are known to the students.” (See Ma Liuquan and Zhao Shihua, page 100) The foundation of the “Six Symbols” proposed by Ma Yifu when he was studying in Zhejiang Theories (see “Ma Yifu Selected Collection” No. 1, pages 10-20. The following quotation is only the “Selected Collection”), and its most basic goal is to ask the master to return to the traditional “Six Sects”, “Book”, “Greeting”, “Lecture”, “Book”, “Year” (Ma Yifu is more called “Six Sects”), and use the “Six Sects” classics as the origin and basic scope of all the ancient and modern academic issues included in Confucianism. Therefore, when Ma Yifu founded the Reconstruction Academy, he clearly stipulated that “the Academy of Books must establish the six teachings and promote the sacred learning” (“Choose Collection” 4, page 42). “The school teaches the teachings of various disciplines and exploratory principles. All academic studies should be based on the Six Arts. All researches on the subject, history department, and literature are summarized in the subject.” (Ibid., page 41) From this meaning, the primitive Confucianism advocated by Ma Yifu is actually a Confucianism that uses the “Six Arts” classics as the middle to implement the “Six Arts Teachings”, that is, the Six Arts Confucianism. Therefore, Ma Yifu Ming pointed out: “Confucians regard the Six Arts as the basis.” (Ibid., page 324) It can be seen that the classics that Ma Yifu asked for reading are not general and contemplated, and everything is possible. Instead, it clearly needs to take the “Six Arts” classics edited and reformed by Confucius as the middle, and use this to develop the classic teaching of the “Six Arts Teachings”, which reflects his adherence to the basic energy of Confucianism in the Six Arts. To this end, he proposed a book plan to edit “Collection Classics” (the important book of the Confucianism”) and “The Essential Scholars” (the master of Confucianism since the Han and Song dynasties) and other books (see “Choice Collection” No. 4, page 44), and also reflected his title. After that, he specifically listed the forty-four books of “Collection of the Classics of the Group” engraved by Sutra (ibid., pages 356-371).

1 is that it classically presents the classical system structure of Ma Yifu’s six-art theory Confucianism with the six-art theory. The “group” in Ma Yifu’s “Group” refers to “Poems”, “Books” and “GreetingsBaobao.com“, “Lecture”, “Evolution”, “Year”, and “Year”, and “Four Books”, have eight categories, and in total, there is a classic system with “Six Books” as the middle. In Ma Yifu, although “Filial Piety” is not among the six arts in the original text, it has a secret relationship with the six arts. Ma Yifu believes that “the purpose of the six arts is in “Filial Piety”” (List 1 of “Choices”, page 185), and the way of “the six arts” “is the end of the book and uses the body, and is seen in “Filial Piety”” (ibid., page 179). Therefor